Juan del Encina, Jordi Savall, Hespèrion XXI made "II. 1496 Matrimonio de Felipe El Hermoso con Juana La Locac: "Amor Con Fortuna" (Villancico)" available on January 1, 2000. The duration of II. 1496 Matrimonio de Felipe El Hermoso con Juana La Locac: "Amor Con Fortuna" (Villancico) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. II. 1496 Matrimonio de Felipe El Hermoso con Juana La Locac: "Amor Con Fortuna" (Villancico)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 21 in Carlos V: Mille Regretz - La Canción Del Emperador by Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, II. 1496 Matrimonio de Felipe El Hermoso con Juana La Locac: "Amor Con Fortuna" (Villancico)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of II. 1496 Matrimonio de Felipe El Hermoso con Juana La Locac: "Amor Con Fortuna" (Villancico) by Juan del Encina, Jordi Savall, Hespèrion XXI is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
Seis Poemas Arcaicos: I. Más quiero morir por veros | Manuel Ponce, Juan del Encina, Juan Carlos Mendoza, Jessica Monnier | B Minor | 3 | 10A | 154 BPM | ||
The Dancing Master: Come live with me and be my love | John Playford, The Broadside Band, Jeremy Barlow | C Major | 0 | 8B | 75 BPM | ||
Passamezzo moderno: Recercada secunda | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | B Major | 3 | 1B | 121 BPM | ||
Maria Balteira que se queria | Anónimo, Manseliña | G Major | 1 | 9B | 121 BPM | ||
The Earle of Essex Galiard | John Dowland, Flanders Recorder Quartet | E♭ Minor | 0 | 2A | 64 BPM | ||
Ich frów mích gen des abentz kunft: I. Ich frów mích gen des abentz kunft | Hugo von Montfort, Eberhard Kummer | D Minor | 0 | 7A | 96 BPM | ||
The silver swan | Orlando Gibbons, The Forbury Consort, Alan Crumpler, Martin Pope, The Holbein Consort, Steven Player | F Major | 0 | 7B | 72 BPM | ||
Danza / Wascha Mesa | Eduardo Paniagua | D Minor | 3 | 7A | 88 BPM | ||
Der ander Theil des Lautenbuchs: Der hupff auff | Hans Neusidler, Ronn McFarlane | A♭ Minor | 3 | 1A | 131 BPM |
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