Hugo von Montfort, Eberhard Kummer made "Ich frów mích gen des abentz kunft: I. Ich frów mích gen des abentz kunft" available on September 29, 2023. The duration of Ich frów mích gen des abentz kunft: I. Ich frów mích gen des abentz kunft is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Ich frów mích gen des abentz kunft: I. Ich frów mích gen des abentz kunft's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hugo von Montfort, Eberhard Kummer's "Hugo von Montfort 1" album is number 1 out of 58. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Ich frów mích gen des abentz kunft: I. Ich frów mích gen des abentz kunft is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ich frów mích gen des abentz kunft: I. Ich frów mích gen des abentz kunft by Hugo von Montfort, Eberhard Kummer to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rondeau-refrain | Matteo da Perugia, Ferrara Ensemble, Crawford Young | G Minor | 0 | 6A | 81 BPM | ||
Canzon quinta a tre | Bartolomé de Selma y Salaverde, La Ritirata, Josetxu Obregon | C Major | 3 | 8B | 74 BPM | ||
Virginal: I. Introduction | Anonymous, Eberhard Kummer | B♭ Major | 2 | 6B | 112 BPM | ||
Esti dal - Nachtlied | Klaus-Martin Bresgott, Zoltán Kodály, Athesinus Consort Berlin, Arno Schneider, Katja Kunze, Heike O. Scheel, Stephan M. Gähler, Stefan Quirin Drexlmeier | F Major | 0 | 7B | 130 BPM | ||
Ωδή Αγ. Νικολάου | Ιερός Ναός Αγίου Νικολάου Αρετσούς Δέρκων | G Minor | 1 | 6A | 67 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: II. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
De cueur pensieu | Adam de la Halle, Praetorius Consort, Christopher Ball, Grayston Burgess, Purcell Consort Of Voices | C Major | 3 | 8B | 99 BPM | ||
Usnula, Usnula | Musica Bohemica | F Major | 0 | 7B | 86 BPM | ||
Hideg Szél Fújdogál | KDGYTZT | E♭ Major | 1 | 5B | 99 BPM | ||
Anthousai (Nymphs of the Flowers) | Michael Levy | A♭ Major | 4 | 4B | 119 BPM |
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