On February 8, 2011, the song "De cueur pensieu" was released by Adam de la Halle, Praetorius Consort, Christopher Ball, Grayston Burgess, Purcell Consort Of Voices. With De cueur pensieu being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Praetorius Consort, Christopher Ball, Purcell Consort Of Voices, Grayston Burgess's "Medieval Paris - Music of the City" album is number 1 out of 18. On top of that, United States appears to be the country where this track was created. In terms of popularity, De cueur pensieu is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of De cueur pensieu by Adam de la Halle, Praetorius Consort, Christopher Ball, Grayston Burgess, Purcell Consort Of Voices to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haulberroys (Attaignant) | Edward Martin | G Minor | 1 | 6A | 82 BPM | ||
Early Elizabethan Music: Anthony Pavyn, A Downe, Chi Passa, Dump Philli | Paul O'Dette | C Major | 0 | 8B | 87 BPM | ||
Nu Al'erst | Anonyme, Ensemble Anonymus | C Major | 3 | 8B | 105 BPM | ||
Entre Ave Eva | Rey Alfonso el Sabio, La Camerata de Paris | D Minor | 0 | 7A | 132 BPM | ||
Ja nus hons pris ne dira sa raison (Under the Greenwood Tree): Ja nuls homs pris | Richard I of England, Estampie, Graham Derrick | F Major | 0 | 7B | 95 BPM | ||
A Miller's End | Alkemie | F Major | 0 | 7B | 77 BPM | ||
Ballo 'La Giloxia' | Domenico da Piacenza, Unicorn Ensemble | G Major | 1 | 9B | 122 BPM | ||
Dances from Neue und Curieuse Theatralische Tantz-Schul (c. 1640) | Gregorio Lambranzi, Praetorius Consort, Christopher Ball | D Major | 4 | 10B | 110 BPM | ||
Can l'erba fresc' | Bernart de Ventadorn, Ensemble Apotropaïk, Louise Bouedo, Clémence Niclas, Marie-Domitille Murez, Clément Stagnol | E♭ Minor | 1 | 2A | 94 BPM | ||
Li dous regard | Adam de la Halle, Ensemble Jehan de Channey, Maryline Bampi, Vincent Barthélemy, Denis Duché, Denis Jacob, Vincent Jacob, Laurent Silvert | F Major | 1 | 7B | 131 BPM |
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