Paul O'Dette's 'Early Elizabethan Music: Anthony Pavyn, A Downe, Chi Passa, Dump Philli' came out on November 22, 2005. Since Early Elizabethan Music: Anthony Pavyn, A Downe, Chi Passa, Dump Philli is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Robin Is To The Greenwood Gone - Elizabethan Lute Music". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Early Elizabethan Music: Anthony Pavyn, A Downe, Chi Passa, Dump Philli is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Early Elizabethan Music: Anthony Pavyn, A Downe, Chi Passa, Dump Philli by Paul O'Dette having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canario | Giovanni Girolamo Kapsberger, Paul O'Dette | G Major | 2 | 9B | 116 BPM | ||
The Spanish Pavan | Alfonso Ferrabosco I, Jakob Lindberg, Paul O'Dette | A Major | 1 | 11B | 99 BPM | ||
Lagrimosa beltà | Giovanni Felice Sances, The King's Noyse | A Major | 3 | 11B | 58 BPM | ||
Spanish Pavan | Thomas Robinson, Joachim Held | F♯ Minor | 1 | 11A | 96 BPM | ||
The First Part of Ayres, 1605: Love's Farewell | Tobias Hume, Sarah Cunningham | F♯ Major | 0 | 2B | 75 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Fantasia | Pietro Paolo Borrono, Paul O'Dette | G Major | 1 | 9B | 129 BPM | ||
Saltarello, "La traditora" | Marco Dall'Aquila, Franklin Lei | A♭ Minor | 1 | 1A | 121 BPM | ||
Spagna seconda | Vincenzo Capirola, Paul O'Dette | G Minor | 1 | 6A | 120 BPM | ||
Praambulum | Jean-Baptiste Besard, Joachim Held | E Minor | 1 | 9A | 65 BPM |
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