Montserrat Figueras's 'VI. Femina Mater: Nana - Aurtxo Txikia Negarres (Anonimus, País Vasco)' came out on January 1, 2006. The duration of VI. Femina Mater: Nana - Aurtxo Txikia Negarres (Anonimus, País Vasco) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. VI. Femina Mater: Nana - Aurtxo Txikia Negarres (Anonimus, País Vasco)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Montserrat Figueras's "Lux Feminæ 900-1600" album is number 12 out of 15. On top of that, Switzerland appears to be the country where this track was created. VI. Femina Mater: Nana - Aurtxo Txikia Negarres (Anonimus, País Vasco) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of VI. Femina Mater: Nana - Aurtxo Txikia Negarres (Anonimus, País Vasco) by Montserrat Figueras to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance: "Triste Estaba Muy Quexosa" | Montserrat Figueras, Hopkinson Smith, Luis de Milán | E Major | 1 | 12B | 71 BPM | ||
Viola da Gamba Suite in D Minor: I. Arpeggiata | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 95 BPM | ||
O magnum mysterium | Tomás Luis de Victoria, Carlos Mena, Juan Carlos Rivera, Francisco Rubio Gallego | F♯ Minor | 0 | 11A | 180 BPM | ||
Antiphona O, tu illustrata | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Margit Übellacker, Hana Blaziková | D Minor | 0 | 7A | 71 BPM | ||
Che farala che dirala | Vincenzo Capirola, Christopher Wilson | F Minor | 0 | 4A | 97 BPM | ||
Sentirete una canzonetta | Tarquinio Merula, Suzie LeBlanc | D Major | 3 | 10B | 140 BPM | ||
Suite in D Minor: VII. La poste | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
O magne Pater (Antiphon, Dendermonde Manuscript) | Hildegard von Bingen, Per-Sonat, Sabine Lutzenberger, Baptiste Romain | F Minor | 0 | 4A | 76 BPM | ||
Morir non può il mio cuore | Maddalena Casulana, The Hilliard Ensemble, Paul Hillier | B♭ Minor | 1 | 3A | 72 BPM |
Section: 0.6331589221954346
End: 0.6371338367462158