"Antiphona O, tu illustrata" by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Margit Übellacker, Hana Blaziková was released on 2015. Since Antiphona O, tu illustrata is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Von Bingen: Ego sum homo by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková. The song's track number on the album is #2 out of 15 tracks. Antiphona O, tu illustrata is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Antiphona O, tu illustrata by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Margit Übellacker, Hana Blaziková has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Antiphona O, tu illustrata being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ Has Risen (2) | Mark Powell, Cappella Romana, Alexander Lingas | A Minor | 3 | 8A | 93 BPM | ||
Can vei la lauzeta mover | Bernat De Ventadorn, Millenarium | D Major | 1 | 10B | 185 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): Introduction: O Lord, save the pious | Georgy Sviridov, Nazar Yakobenchuk, Credo Chamber Choir, Bogdan Plish | B♭ Minor | 0 | 3A | 79 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 2, Holy God | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | E♭ Minor | 0 | 2A | 136 BPM | ||
La nuit froide et sombre | Orlande de Lassus, Ratas del viejo Mundo | A Major | 2 | 11B | 72 BPM | ||
Deo gratias | Johannes Ockeghem, Paul Van Nevel | C Major | 1 | 8B | 60 BPM | ||
Liturgy of St. John Chrysostom, Op. 41, TH 75: The Mercy of Peace | Pyotr Ilyich Tchaikovsky, USSR Ministry of Culture Chamber Choir, Valery Polyansky | E♭ Major | 1 | 5B | 97 BPM | ||
Thy Resurrection-(authentic Kiev chant) | authentic Kiev chant, Monks Choir of Kiev Pechersk Monastery | D♭ Minor | 3 | 12A | 106 BPM | ||
Liturgy of St. John Chrysostom, Op. 41, TH 75: Our Father | Pyotr Ilyich Tchaikovsky, USSR Ministry of Culture Chamber Choir, Valery Polyansky | E Major | 0 | 12B | 77 BPM | ||
O Doctor Optime | Hildegard von Bingen, Stevie Wishart, Sinfonye, Guy Sigsworth | G Minor | 1 | 6A | 63 BPM |
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