Edgar Olivero, Sarah Willis, The Sarahbanda made "Pa Pa Pa (Inspired by the Papageno/Papagena Duet from W.A. Mozart’s The Magic Flute)" available on September 2, 2022. The duration of Pa Pa Pa (Inspired by the Papageno/Papagena Duet from W.A. Mozart’s The Magic Flute) is about 3 minutes long, at 3:04. Based on our data, "Pa Pa Pa (Inspired by the Papageno/Papagena Duet from W.A. Mozart’s The Magic Flute)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sarah Willis, Havana Lyceum Orchestra, José Antonio Méndez Padrón's "Mozart y Mambo: Cuban Dances" album is number 14 out of 14. On top of that, France appears to be the country where this track was created. In terms of popularity, Pa Pa Pa (Inspired by the Papageno/Papagena Duet from W.A. Mozart’s The Magic Flute) is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Pa Pa Pa (Inspired by the Papageno/Papagena Duet from W.A. Mozart’s The Magic Flute) by Edgar Olivero, Sarah Willis, The Sarahbanda to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cry Me a River (Arr. for Cello and Piano) | Sheku Kanneh-Mason | E♭ Major | 1 | 5B | 87 BPM | ||
Danzón No. 2 - Transcr. for piano and percussions | Arturo Márquez, Simon Ghraichy, Emmanuel Curt, Florent Jodelet | D Minor | 3 | 7A | 114 BPM | ||
3 Pieces for Violin & Piano, Op. 40: Berceuse (Arr. Koncz) | Amy Beach, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | D Major | 1 | 10B | 137 BPM | ||
Les copains d’abord | Gautier Capuçon, Jerome Ducros | D Major | 1 | 10B | 92 BPM | ||
Fandango | Rolf Lislevand, Santiago De Murcia | D♭ Minor | 1 | 12A | 131 BPM | ||
Uccellini : Aria sopra 'La Bergamasca' | Marco Uccellini, Il Giardino Armonico | B♭ Major | 2 | 6B | 74 BPM | ||
Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) | Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien | F Major | 0 | 7B | 141 BPM | ||
Come, Ye Sons of Art Away, Z. 323 "Ode for Queen Mary's Birthday, 1694": No. 2. Duet, "Come Ye Sons of Art Away" (Arr. with Trumpet, Trombone, Baroque Guitar, Cello and Organ by Wim van Hasselt and Jörgen van Rijen) | Henry Purcell, Wim Van Hasselt, Jörgen Van Rijen, Benedikt Enzler, Mike Fentross, Jorge Lopez-Escribano | F Major | 1 | 7B | 107 BPM | ||
Indifférence | Joseph Colombo, Tony Muréna, Nemanja Radulović, Double Sens | C Major | 4 | 8B | 180 BPM | ||
Nocturne: A Kind of Lullaby of Times We Have Not Yet Lived | Pietro Roffi, Ksenija Sidorova, Goldmund Quartet, Roberto Koch | E♭ Minor | 2 | 2A | 78 BPM |
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