"Cry Me a River (Arr. for Cello and Piano)" by Sheku Kanneh-Mason was released on July 29, 2022. The duration of Cry Me a River (Arr. for Cello and Piano) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Cry Me a River (Arr. for Cello and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Cry Me a River (Arr. for Cello and Piano) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Cry Me a River (Arr. for Cello and Piano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cry Me a River (Arr. for Cello and Piano) by Sheku Kanneh-Mason is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major | Dmitri Shostakovich, Igor Levit | A Major | 0 | 11B | 97 BPM | ||
Brahms / Transcr. Reger: 5 Lieder, Op. 49: No. 4, Wiegenlied | Johannes Brahms, Bertrand Chamayou | E♭ Major | 1 | 5B | 69 BPM | ||
クライ・ミー・ア・リヴァー | Arthur Hamilton, Mutsumi Hatano, Yasuji Ohagi | D Minor | 2 | 7A | 106 BPM | ||
Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM | ||
Three Postludes (1981/82): Postlude No. 3 | Valentin Silvestrov, Anja Lechner, Silke Avenhaus | D Major | 0 | 10B | 70 BPM | ||
Prelude in E Minor | Shahin Novrasli | C Major | 1 | 8B | 119 BPM | ||
Trio Li? | Alexei Aigui, Ensemble 4'33' | G Major | 2 | 9B | 142 BPM | ||
On the Nature of Daylight (Arr. Mackay) | Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 1 | 3A | 135 BPM | ||
As Time Goes By | Gianluigi Trovesi, Gianni Coscia | C Minor | 0 | 5A | 65 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM |
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