"Nocturne: A Kind of Lullaby of Times We Have Not Yet Lived" by Pietro Roffi, Ksenija Sidorova, Goldmund Quartet, Roberto Koch was released on 2018. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Piazzolla Reflections". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Nocturne: A Kind of Lullaby of Times We Have Not Yet Lived is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturne: A Kind of Lullaby of Times We Have Not Yet Lived by Pietro Roffi, Ksenija Sidorova, Goldmund Quartet, Roberto Koch having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Granada - Oriental, Danza española n°2 | Enrique Granados, Thibault Cauvin, Christian-Pierre La Marca | D Minor | 1 | 7A | 91 BPM | ||
Accordion Concerto "What the Wind Told Over the Sea": I. Andante, misterioso | Arturs Maskats, Ksenija Sidorova, Latvian National Symphony Orchestra, Andris Poga | F Major | 0 | 7B | 104 BPM | ||
Lontano | Anja Lechner, François Couturier | F♯ Minor | 0 | 11A | 83 BPM | ||
Tambourin in C Major | Jean-Marie Leclair, Patricia Kopatchinskaja, Sol Gabetta | C Minor | 2 | 5A | 144 BPM | ||
The Fence, the Rooftop, and the Distant Sea: V. Epilogue | Kinan Azmeh, Yo-Yo Ma | C Major | 0 | 8B | 105 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Scènes de la forêt, Op. 82: VII. L’Oiseau prophète | Robert Schumann, Shani Diluka, Geneviève Laurenceau, Les Chanteurs d'Oiseaux | D Major | 0 | 10B | 137 BPM | ||
Études: No. 5 - Reworked By Christian Badzura | Philip Glass, Víkingur Ólafsson, Siggi String Quartet, Christian Badzura | F Minor | 0 | 4A | 89 BPM | ||
Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 71 BPM | ||
Pièces de viole, Book 4, Suite in A Minor: VI. Musette | Marin Marais, Jean-Guihen Queyras, Alexandre Tharaud | E Major | 2 | 12B | 84 BPM |
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