"3 Pieces for Violin & Piano, Op. 40: Berceuse (Arr. Koncz)" by Amy Beach, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin was released on January 1, 2013. The duration of 3 Pieces for Violin & Piano, Op. 40: Berceuse (Arr. Koncz) is about 3 minutes long, at 3:11. Based on our data, "3 Pieces for Violin & Piano, Op. 40: Berceuse (Arr. Koncz)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Portraits - The Clarinet Album". In this album, this song's track order is #9. Based on our statistics, 3 Pieces for Violin & Piano, Op. 40: Berceuse (Arr. Koncz)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Pieces for Violin & Piano, Op. 40: Berceuse (Arr. Koncz) by Amy Beach, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, London Philharmonic Orchestra, Sir Georg Solti | C Minor | 3 | 5A | 68 BPM | ||
Stille Musik: 2. Abendserenade | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D Minor | 0 | 7A | 77 BPM | ||
Ravel: Valses nobles et sentimentales, M. 61: No. 7 Moins vif | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | E Minor | 1 | 9A | 112 BPM | ||
24 Preludes, Op. 28: No. 15 in D Flat Major. Sostenuto "Raindrop" | Frédéric Chopin, Alice Sara Ott | D♭ Major | 0 | 3B | 131 BPM | ||
Concerto for Violin and Orchestra in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Lisa Batiashvili, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 61 BPM | ||
Impromptu No. 2 in B Minor | Samuel Coleridge-Taylor, Isata Kanneh-Mason | B Minor | 0 | 10A | 65 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Herbert Blomstedt, Gewandhausorchester Leipzig | C Minor | 0 | 5A | 67 BPM | ||
Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 89 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale: Allegro energico | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | G Major | 3 | 9B | 92 BPM |
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