"Tosca / Act 2: "Floria..." - "Amore..."" by Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Sherrill Milnes, Paul Hudson, National Philharmonic Orchestra, Nicola Rescigno was released on January 1, 1978. With Tosca / Act 2: "Floria..." - "Amore..." being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Puccini: Tosca". In this album, this song's track order is #7. Tosca / Act 2: "Floria..." - "Amore..." is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca / Act 2: "Floria..." - "Amore..." by Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Sherrill Milnes, Paul Hudson, National Philharmonic Orchestra, Nicola Rescigno having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Mefistofele / Act 2: "Dai campi, dai prati" | Arrigo Boito, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F Major | 3 | 7B | 82 BPM | ||
La Gioconda / Act 2: Stella del marinar! | Amilcare Ponchielli, Agnes Baltsa, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 2 | 10B | 90 BPM | ||
Stabat Mater: Cujus animam | Orchestra of the Accademia di Santa Cecilia, Rome, Carlo Maria Giulini, Luciano Pavarotti | A♭ Major | 2 | 4B | 93 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Beatrice di Tenda / Act 2: Angiol di pace - Live | Vincenzo Bellini, Luciano Pavarotti, Joan Sutherland, Marilyn Horne, New York City Opera Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 85 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
Rossini: Il barbiere di Siviglia, Act 2: Recitativo. "Ma bravi! Ma benone!" (Figaro, Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | D Major | 1 | 10B | 80 BPM | ||
Puccini: Madama Butterfly, Act 1: "Dovunque al mondo" (Sharpless, Pinikerton, Chorus) | Giacomo Puccini, Mario Borriello, Coro Del Teatro Alla Scala Di Milano, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | D♭ Major | 3 | 3B | 69 BPM | ||
La Bohème / Act 1: "Pensier profundo!" | Giacomo Puccini, Ildebrando D'Arcangelo, Simon Keenlyside, Roberto Alagna, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | E Major | 1 | 12B | 165 BPM |
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