"Puccini: Madama Butterfly, Act 1: "Dovunque al mondo" (Sharpless, Pinikerton, Chorus)" by Giacomo Puccini, Mario Borriello, Coro Del Teatro Alla Scala Di Milano, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani was released on 1955. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 36 in the song's album "Puccini: Madama Butterfly (1955 - Karajan) - Callas Remastered". In this album, this song's track order is #3. Puccini: Madama Butterfly, Act 1: "Dovunque al mondo" (Sharpless, Pinikerton, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Madama Butterfly, Act 1: "Dovunque al mondo" (Sharpless, Pinikerton, Chorus) by Giacomo Puccini, Mario Borriello, Coro Del Teatro Alla Scala Di Milano, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere di Siviglia (1996 Digital Remaster): All'idea di quel metallo (Conte/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 3 | 9B | 128 BPM | ||
Macbeth / Act II: Aria: "La luce langue" | Giuseppe Verdi, Shirley Verrett, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B Major | 1 | 1B | 81 BPM | ||
Verdi: Un ballo in maschera, Act 2: "Ecco l'orrido campo ove s'accoppia (Amelia) | Giuseppe Verdi, Maria Callas, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | A Minor | 2 | 8A | 77 BPM | ||
Puccini: La bohème, Act 3: "Ohè, là, le guardie...Aprite!" (Coro/Un doganiere/Musetta/Mimì/Sergente) | Giacomo Puccini, Maria Callas, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | D Major | 0 | 10B | 107 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Couplets: Deux heures devant moi (Lindorf) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 2 | 8B | 83 BPM | ||
Ponchielli: La Gioconda, Act 1: "Angele Dei" - Chorus, Barnabotto, Gioconda, Cieca | Amilcare Ponchielli, Bonaldo Giaiotti, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Irene Companeez, Orchestra Del Teatro Alla Scala, Milano | D♭ Major | 1 | 3B | 84 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Ah, qual colpo inaspettato! (Figaro/Conte/Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 2 | 7B | 134 BPM | ||
Aida / Act 1: Ritorna vincitor | Giuseppe Verdi, Katia Ricciarelli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
La Bohème / Act 4: "Che avvien?" - Live | Giacomo Puccini, Anna Netrebko, Nicole Cabell, Rolando Villazón, Stéphane Degout, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy | B♭ Major | 0 | 6B | 138 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM |
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