"Ponchielli: La Gioconda, Act 1: "Angele Dei" - Chorus, Barnabotto, Gioconda, Cieca" by Amilcare Ponchielli, Bonaldo Giaiotti, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Irene Companeez, Orchestra Del Teatro Alla Scala, Milano was released on 1960. Ponchielli: La Gioconda, Act 1: "Angele Dei" - Chorus, Barnabotto, Gioconda, Cieca is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. There are a total of 51 in the song's album "Ponchielli: La Gioconda (1959 - Votto) - Callas Remastered". In this album, this song's track order is #15. Ponchielli: La Gioconda, Act 1: "Angele Dei" - Chorus, Barnabotto, Gioconda, Cieca is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ponchielli: La Gioconda, Act 1: "Angele Dei" - Chorus, Barnabotto, Gioconda, Cieca by Amilcare Ponchielli, Bonaldo Giaiotti, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Irene Companeez, Orchestra Del Teatro Alla Scala, Milano having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Le barbier de Séville Largo al factotum - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 77 BPM | ||
Ponchielli: La Gioconda, Act 4: "Ten va serenata" (Chorus, Gioconda, Enzo, Laura) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Fiorenza Cossotto, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro | C Major | 1 | 8B | 78 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D♭ Minor | 3 | 12A | 110 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM |
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