Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Fiorenza Cossotto, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro's 'Ponchielli: La Gioconda, Act 4: "Ten va serenata" (Chorus, Gioconda, Enzo, Laura)' came out on 1960. With Ponchielli: La Gioconda, Act 4: "Ten va serenata" (Chorus, Gioconda, Enzo, Laura) being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 51 in the song's album "Ponchielli: La Gioconda (1959 - Votto) - Callas Remastered". In this album, this song's track order is #47. Ponchielli: La Gioconda, Act 4: "Ten va serenata" (Chorus, Gioconda, Enzo, Laura) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ponchielli: La Gioconda, Act 4: "Ten va serenata" (Chorus, Gioconda, Enzo, Laura) by Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Fiorenza Cossotto, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Sylvia: Pizzicato | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 0 | 5B | 159 BPM | ||
Nutcracker - Waltz of the Flowers | Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 1 | 10B | 100 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Ponchielli: La Gioconda, Act 1: "Maledici? Sta ben...l'amor t'accieca" (Barnaba, lsèpo, Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Piero Cappuccilli, Renato Ercolani | C Major | 1 | 8B | 109 BPM | ||
Ponchielli: La Gioconda, Act 3: "Qui chiamata m'avete?...Bella così, madonna" (Laura, Alvise) | Amilcare Ponchielli, Fiorenza Cossotto, Antonino Votto, Ivo Vinco, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 90 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM |
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