"Ponchielli: La Gioconda, Act 1: "Maledici? Sta ben...l'amor t'accieca" (Barnaba, lsèpo, Gioconda)" by Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Piero Cappuccilli, Renato Ercolani was released on 1960. The duration of Ponchielli: La Gioconda, Act 1: "Maledici? Sta ben...l'amor t'accieca" (Barnaba, lsèpo, Gioconda) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Ponchielli: La Gioconda, Act 1: "Maledici? Sta ben...l'amor t'accieca" (Barnaba, lsèpo, Gioconda)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 51 in the song's album "Ponchielli: La Gioconda (1959 - Votto) - Callas Remastered". In this album, this song's track order is #12. In terms of popularity, Ponchielli: La Gioconda, Act 1: "Maledici? Sta ben...l'amor t'accieca" (Barnaba, lsèpo, Gioconda) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ponchielli: La Gioconda, Act 1: "Maledici? Sta ben...l'amor t'accieca" (Barnaba, lsèpo, Gioconda) by Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Piero Cappuccilli, Renato Ercolani having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Géza Anda, Camerata Academica des Mozarteums Salzburg | F Major | 0 | 7B | 175 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Ponchielli: La Gioconda, Act 2: "Vedi là, nel canal morto" (Gioconda, Enzo, Chorus) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro | F Major | 4 | 7B | 97 BPM | ||
La Gioconda / Act 2: Il mio braccia t'afferra! | Amilcare Ponchielli, Montserrat Caballé, Agnes Baltsa, Sherrill Milnes, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | F Major | 3 | 7B | 129 BPM |
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