"La Gioconda / Act 2: Il mio braccia t'afferra!" by Amilcare Ponchielli, Montserrat Caballé, Agnes Baltsa, Sherrill Milnes, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti was released on January 1, 1981. Since La Gioconda / Act 2: Il mio braccia t'afferra! is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 32 in the song's album "Ponchielli: La Gioconda". In this album, this song's track order is #9. Based on our statistics, La Gioconda / Act 2: Il mio braccia t'afferra!'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Gioconda / Act 2: Il mio braccia t'afferra! by Amilcare Ponchielli, Montserrat Caballé, Agnes Baltsa, Sherrill Milnes, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM | ||
Ponchielli: La Gioconda, Act 2: "Ma chi vien?" (Enzo, Barnaba, Laura) | Amilcare Ponchielli, Fiorenza Cossotto, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro, Piero Cappuccilli | F Major | 3 | 7B | 101 BPM | ||
Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | ||
Ponchielli: La Gioconda, Act 3: "Benvenuti messeri! Andrea Sagredo!" (Alvise, Chorus) | Amilcare Ponchielli, Ivo Vinco, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Antonino Votto, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Ivo Vinco, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 106 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Parsifal Wagner - Good Friday Spell | Gerard Schwarz | D Major | 0 | 10B | 75 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM |
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