Giuseppe Verdi, Ettore Bastianini, Alfredo Kraus, Renata Scotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino's 'Rigoletto, Act III: Schiudete!' came out on February 3, 2010. With Rigoletto, Act III: Schiudete! being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Rigoletto". In this album, this song's track order is #8. Rigoletto, Act III: Schiudete! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rigoletto, Act III: Schiudete! by Giuseppe Verdi, Ettore Bastianini, Alfredo Kraus, Renata Scotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino having a BPM of 49 with a half-time of 24 BPM and a double-time of 98 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cherubini: Medea, Act 1: "O Armore, vieni a me!" (Glauce) | Luigi Cherubini, Renata Scotto, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 1 | 9B | 115 BPM | ||
Doña Francisquita: "Por el Humo Se Sabe Donde Está" | Alfredo Kraus | E♭ Major | 3 | 5B | 174 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 16: "Dove son? Che loco è questo?" (Ferrando, Guglielmo, Despina, Don Alfonso, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Walter Berry, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Hanny Steffek, Heinrich Schmidt, Karl Böhm, Philharmonia Orchestra | G Major | 1 | 9B | 56 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Chorus, Enrico) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Malinconia, ninfa gentile | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | E Major | 2 | 12B | 94 BPM | ||
La traviata / Act 1: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | A♭ Major | 4 | 4B | 103 BPM | ||
Estrellita | Alfredo Kraus | A Minor | 3 | 8A | 135 BPM | ||
Messa di Requiem, Dies irae: Recordare | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | F Major | 1 | 7B | 75 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: A voi però giurerei fede costante (Yamadori/Sharpless/Goro/Butterfly) | Giacomo Puccini, Renata Scotto, Rolando Panerai, Piero de Palma, Giuseppe Morresi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | A♭ Major | 1 | 4B | 90 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM |
Section: 0.8603982925415039
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