Wolfgang Amadeus Mozart, Walter Berry, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Hanny Steffek, Heinrich Schmidt, Karl Böhm, Philharmonia Orchestra made "Mozart: Così fan tutte, K. 588, Act I, Scene 16: "Dove son? Che loco è questo?" (Ferrando, Guglielmo, Despina, Don Alfonso, Fiordiligi, Dorabella)" available on 1963. The duration of Mozart: Così fan tutte, K. 588, Act I, Scene 16: "Dove son? Che loco è questo?" (Ferrando, Guglielmo, Despina, Don Alfonso, Fiordiligi, Dorabella) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Mozart: Così fan tutte, K. 588, Act I, Scene 16: "Dove son? Che loco è questo?" (Ferrando, Guglielmo, Despina, Don Alfonso, Fiordiligi, Dorabella)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Karl Böhm's "Mozart: Cosi fan tutte" album is number 4 out of 69. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Così fan tutte, K. 588, Act I, Scene 16: "Dove son? Che loco è questo?" (Ferrando, Guglielmo, Despina, Don Alfonso, Fiordiligi, Dorabella) is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Mozart: Così fan tutte, K. 588, Act I, Scene 16: "Dove son? Che loco è questo?" (Ferrando, Guglielmo, Despina, Don Alfonso, Fiordiligi, Dorabella) by Wolfgang Amadeus Mozart, Walter Berry, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Hanny Steffek, Heinrich Schmidt, Karl Böhm, Philharmonia Orchestra to be Lento (slowly) because the track has a tempo of 56 BPM, a half-time of 28BPM, and a double-time of 112 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Nocturne No. 9 In B, Op. 32 No. 1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 80 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Sinfonia concertante for Violin, Viola and Orchestra in E flat, K.364: 2. Andante | Wolfgang Amadeus Mozart, Arthur Grumiaux, Arrigo Pelliccia, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 85 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Don Giovanni, K. 527: Overture | Wolfgang Amadeus Mozart, Bo Skovhus, Janusz Monarcha, Adrianne Pieczonka, Torsten Kerl, Regina Schorg, Renato Girolami, Boaz Daniel, Ildiko Raimondi, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 1 | 10B | 130 BPM |
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