"Madama Butterfly (1986 - Remaster), Act II: A voi però giurerei fede costante (Yamadori/Sharpless/Goro/Butterfly)" by Giacomo Puccini, Renata Scotto, Rolando Panerai, Piero de Palma, Giuseppe Morresi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma was released on 1967. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 36 in the song's album "Puccini: Madam Butterfly". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Madama Butterfly (1986 - Remaster), Act II: A voi però giurerei fede costante (Yamadori/Sharpless/Goro/Butterfly) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly (1986 - Remaster), Act II: A voi però giurerei fede costante (Yamadori/Sharpless/Goro/Butterfly) by Giacomo Puccini, Renata Scotto, Rolando Panerai, Piero de Palma, Giuseppe Morresi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 1: "Tran, tran, tran, tran - In guerra ed in amor" | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | C Major | 3 | 8B | 90 BPM | ||
Norma / Act 1: Adalgisa! | Vincenzo Bellini, Dame Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Minor | 0 | 3A | 102 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
Pagliacci / Act 2: "Pagliaccio, mio marito" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 0 | 8B | 110 BPM | ||
La Bohème / Act 4: "In un coupé?" | Giacomo Puccini, Rolando Panerai, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | D Minor | 2 | 7A | 84 BPM | ||
Tosca: E Lucevan Le Stelle | Peter Dvorsky, Slovak Radio Symphony Orchestra, Luigi Illica, Giacomo Puccini, Giuseppe Giacosa | B Minor | 2 | 10A | 90 BPM | ||
Madame Butterfly - Grosser Querschnitt: Du, du, du | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | C Major | 1 | 8B | 82 BPM | ||
La Cenerentola / Act 1: "Venga, inoltri" - "Sapientissimo Alidoro" | Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A♭ Major | 1 | 4B | 91 BPM | ||
La traviata, Act I: Valzer: Che è ciò | Giuseppe Verdi, Renata Scotto, Riccardo Muti, Philharmonia Orchestra | A♭ Major | 1 | 4B | 131 BPM | ||
L'elisir d'amore / Act 2: "Saria possibile?" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 125 BPM |
Section: 0.6438467502593994
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