Giacomo Puccini, Rolando Panerai, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan's 'La Bohème / Act 4: "In un coupé?"' came out on January 1, 1973. With La Bohème / Act 4: "In un coupé?" being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Puccini: La Bohème". In this album, this song's track order is #9. La Bohème / Act 4: "In un coupé?" is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Bohème / Act 4: "In un coupé?" by Giacomo Puccini, Rolando Panerai, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma rendi pur contento | Vincenzo Bellini, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | A♭ Major | 2 | 4B | 106 BPM | ||
Die Walküre, WWV 86B / Erster Akt: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 80 BPM | ||
Puccini: La rondine, Act 1: "Forse, come la rondine" (Prunier, Magda, Rambaldo, Ruggero, Bianca) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Tosca / Act I: "Un tal baccano in chiesa! Bel rispetto!" | Giacomo Puccini, Heinz Zednik, Ruggero Raimondi, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 73 BPM | ||
Falstaff / Act II: "Siam pentiti e contriti" - "Reverenza!" | Giuseppe Verdi, Anthony Mee, Anatolij Kotscherga, Bryn Terfel, Larissa Diadkova, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
Madama Butterfly / Act I: Bimba dagli occhi pieni di malia | Giacomo Puccini, Mirella Freni, José Carreras, Philharmonia Orchestra, Giuseppe Sinopoli | F Major | 2 | 7B | 82 BPM | ||
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Ieri son salita tutta sola (Butterfly/Goro/Il Commissario/Coro/Sharpless/Ufficiale del Registro/Pinkerton) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Mario Rinaudo, Coro Del Teatro Dell'Opera Di Roma, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | A♭ Minor | 9 | 1A | 143 BPM | ||
Puccini: Turandot, Act 2 Scene 1: "O Cina, o Cina" (Ping, Pang, Pong) | Giacomo Puccini, Guido Mazzini/Franco Ricciardi/Piero de Palma/Orchestra del Teatro dell'Opera, Roma/Francesco Molinari Pradelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Minor | 3 | 2A | 72 BPM |
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