Giuseppe Verdi, Anthony Mee, Anatolij Kotscherga, Bryn Terfel, Larissa Diadkova, Berliner Philharmoniker, Claudio Abbado's 'Falstaff / Act II: "Siam pentiti e contriti" - "Reverenza!"' came out on January 1, 2001. Falstaff / Act II: "Siam pentiti e contriti" - "Reverenza!" is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. This song is part of Verdi: Falstaff by Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado. The song's track number on the album is #10 out of 30 tracks. Based on our data, Germany was the country where this track was produced or recorded. Falstaff / Act II: "Siam pentiti e contriti" - "Reverenza!" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Falstaff / Act II: "Siam pentiti e contriti" - "Reverenza!" by Giuseppe Verdi, Anthony Mee, Anatolij Kotscherga, Bryn Terfel, Larissa Diadkova, Berliner Philharmoniker, Claudio Abbado has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Falstaff / Act II: "Siam pentiti e contriti" - "Reverenza!" being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: I vespri Siciliani, Act 5: "Mercé, dilette amiche" (Elena) | Giuseppe Verdi, Maria Callas, Tullio Serafin, Philharmonia Orchestra | A Major | 1 | 11B | 102 BPM | ||
Don Carlo*: Act V: Aria: Tu, che le vanita (Elisabeth) | Giuseppe Verdi, Lars Cleveman, Klas Hedlund, Hilde Leidland, Hillevi Martinpelto, Peter Mattei, Bengt Rundgren, Iwa Sorenson, Martti Wallèn, Jaakko Ryhänen, Ingrid Tobiasson, Royal Swedish Opera Chorus, Royal Swedish Opera Orchestra, Alberto Hold-Garrido | A Major | 2 | 11B | 115 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Luciano Pavarotti, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 2 | 12B | 83 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Rossini: Il Barbiere di Siviglia: La ran la le ra la ran la la ... Largo al factotum ... (Figaro) - 1996 Remaster | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 4 | 8B | 75 BPM | ||
Rigoletto: Overture (Preludio) | Giuseppe Verdi, London Symphony Orchestra, Richard Bonynge | C Major | 0 | 8B | 72 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, Joan Sutherland, Riccardo Cassinelli, John Gibbs, Christian Du Plessis, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Major | 1 | 12B | 168 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM |
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