"Don Carlo*: Act V: Aria: Tu, che le vanita (Elisabeth)" by Giuseppe Verdi, Lars Cleveman, Klas Hedlund, Hilde Leidland, Hillevi Martinpelto, Peter Mattei, Bengt Rundgren, Iwa Sorenson, Martti Wallèn, Jaakko Ryhänen, Ingrid Tobiasson, Royal Swedish Opera Chorus, Royal Swedish Opera Orchestra, Alberto Hold-Garrido was released on November 6, 2002. The duration of Don Carlo*: Act V: Aria: Tu, che le vanita (Elisabeth) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Don Carlo*: Act V: Aria: Tu, che le vanita (Elisabeth)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Don Carlos by Giuseppe Verdi. The song's track number on the album is #11 out of 69 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Don Carlo*: Act V: Aria: Tu, che le vanita (Elisabeth) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Don Carlo*: Act V: Aria: Tu, che le vanita (Elisabeth) by Giuseppe Verdi, Lars Cleveman, Klas Hedlund, Hilde Leidland, Hillevi Martinpelto, Peter Mattei, Bengt Rundgren, Iwa Sorenson, Martti Wallèn, Jaakko Ryhänen, Ingrid Tobiasson, Royal Swedish Opera Chorus, Royal Swedish Opera Orchestra, Alberto Hold-Garrido has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Don Carlo*: Act V: Aria: Tu, che le vanita (Elisabeth) being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Queen of Spades, Op. 68, Act II: Ya vas liubliu (I Love You) | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 96 BPM | ||
Proserpin, VB 19: Scene 8: Recitative: Proserpin! Vi ropa dig (Chorus, Nymphs) - Recitative with Chorus: Men se! här blir vår smärta ny (First Nymph, Nymphs) | Joseph Martin Kraus, Anna Eklund-Tarantino, Hillevi Martinpelto, Susanne Rydén, Stephen Smith, Lars Arvidson, Peter Mattei, Jan Stromberg, Johan Christensson, Stockholm Chamber Choir, Stockholm Chamber Orchestra, Mark Tatlow | E Minor | 3 | 9A | 87 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Queste sono, Madama" - "Eh cospettaccio!" - "Signor, se trattene" | Wolfgang Amadeus Mozart, Constanze Backes, Hillevi Martinpelto, Alison Hagley, Julian Clarkson, Rod Gilfry, Pamela Helen Stephen, Bryn Terfel, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 1 | 4B | 95 BPM | ||
Idomeneo, re di Creta, K.366 / Act 2: "Idol mio, se ritroso" - Live | Wolfgang Amadeus Mozart, Hillevi Martinpelto, English Baroque Soloists, John Eliot Gardiner | C Major | 1 | 8B | 137 BPM | ||
La clemenza di Tito, K.621 / Act 1: "Deh se piacer mi vuol" - "Chi ciecamente crede" | Wolfgang Amadeus Mozart, Hillevi Martinpelto, Scottish Chamber Orchestra, Sir Charles Mackerras | D Minor | 3 | 7A | 101 BPM | ||
Rivolgete a lui lo sguardo, K. 584 | Wolfgang Amadeus Mozart, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | D Major | 1 | 10B | 131 BPM | ||
Falstaff, Act I: Ehi! Paggio! – L'Onore! Ladri! | Giuseppe Verdi, Giuseppe Taddei, Wiener Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 139 BPM | ||
Verdi: La traviata, Act 1: Brindisi. "Libiamo ne'lieti calici" (Alfredo, Violetta, Coro) | Giuseppe Verdi, Maria Callas, Coro Cetra, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | B♭ Major | 2 | 6B | 195 BPM | ||
Samson et Dalila / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Elena Obraztsova, Plácido Domingo, Orchestre de Paris, Daniel Barenboim | D♭ Major | 2 | 3B | 88 BPM | ||
Don Giovanni, K. 527, Act II: Canzonetta: Deh, vieni alla finestra | Wolfgang Amadeus Mozart, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | D Major | 0 | 10B | 137 BPM |
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