Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik made "Le Corsaire : Act I, No.2 Corsairs" available on January 1, 2003. With Le Corsaire : Act I, No.2 Corsairs being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 30 in Ballet Highlights. Adam, Delibes by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Le Corsaire : Act I, No.2 Corsairs is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Le Corsaire : Act I, No.2 Corsairs by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le carnaval des animaux, R. 125: 14. Final | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 100 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 7 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | F Major | 1 | 7B | 167 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Henry VIII: Idylle ecossaise | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | F Major | 0 | 7B | 93 BPM | ||
La traviata, Act I: "Un dì felice" (Arr. E. Kunzel & C. Beck) | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 2 | 8B | 118 BPM | ||
Le Corsaire: Alt. Tempo: II - "7 Grand Pas: Coda" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | E♭ Major | 2 | 5B | 120 BPM | ||
Faire Frou-Frou | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | G Major | 2 | 9B | 175 BPM | ||
Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 3: Scene 2 - The Goaler's rooms in New Orleans | Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A♭ Major | 0 | 4B | 80 BPM | ||
Raymonda, Act I: Variation 3 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | G Major | 1 | 9B | 82 BPM | ||
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy Evening on the Sea). Allegro agitato | Edvard Grieg, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 69 BPM |
Section: 0.5449819564819336
End: 0.5491511821746826