Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel's 'La traviata, Act I: "Un dì felice" (Arr. E. Kunzel & C. Beck)' came out on January 1, 1995. The duration of La traviata, Act I: "Un dì felice" (Arr. E. Kunzel & C. Beck) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. La traviata, Act I: "Un dì felice" (Arr. E. Kunzel & C. Beck)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi Without Words by Giuseppe Verdi, Erich Kunzel, Cincinnati Pops Orchestra. The song's track number on the album is #11 out of 19 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, La traviata, Act I: "Un dì felice" (Arr. E. Kunzel & C. Beck) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata, Act I: "Un dì felice" (Arr. E. Kunzel & C. Beck) by Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel has a tempo of 118 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With La traviata, Act I: "Un dì felice" (Arr. E. Kunzel & C. Beck) being at 118 BPM, the half-time would be 59 BPM with a double-time of 236 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 3 in F Major (orch. J. Brahms) | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F Major | 0 | 7B | 138 BPM | ||
Sinfonietta: III. Allegro | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | D♭ Major | 2 | 3B | 100 BPM | ||
Il trovatore: Condotta ell'era in ceppi | Giuseppe Verdi, Dolora Zajick, Charles Rosekrans, Royal Philharmonic Orchestra, Piero Giuliacci | D♭ Major | 0 | 3B | 90 BPM | ||
Espada Suite: II. Boléro | Jules Massenet, Royal Scottish National Orchestra, Jean-Luc Tingaud | E Minor | 2 | 9A | 133 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Prologue: 3g. Pas de six: Variation V (Violente) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | F Major | 1 | 7B | 160 BPM | ||
Deborah Polka-Mazurka (1857) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Minor | 2 | 9A | 134 BPM | ||
Die Puppenfee (The Fairy Doll): No. 14 Andante | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F♯ Minor | 1 | 11A | 80 BPM | ||
La traviata: Prelude (Arr. E. Kunzel & C. Beck) | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | B Major | 0 | 1B | 123 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Coppélia / Tableau 1: No. 6 Thème slave varié | Léo Delibes, Robert Gugolz, Orchestre de la Suisse Romande, Richard Bonynge | A Major | 1 | 11B | 124 BPM |
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