Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes made "Le Corsaire: Alt. Tempo: II - "7 Grand Pas: Coda"" available on October 14, 2011. With Le Corsaire: Alt. Tempo: II - "7 Grand Pas: Coda" being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 44 out of 70. Based on our statistics, Le Corsaire: Alt. Tempo: II - "7 Grand Pas: Coda"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Le Corsaire: Alt. Tempo: II - "7 Grand Pas: Coda" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella-Suite Nr. 1, Op. 107: VIII. Midnight | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Symphony No. 9 in E Minor, From The New World: Symphony No. 9 "New World Symphony": III. Scherzo - Molto vivace | Antonín Dvořák, Budapest Philharmonic Orchestra, Rico Saccani | C Major | 1 | 8B | 132 BPM | ||
Cinderella, Op. 87: 13. Summer Fairy | Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev | F Minor | 0 | 4A | 116 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Young Juliet | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 0 | 7B | 83 BPM | ||
Act III: Pas De Deux (Kitri & Basil) (Minkus) | Mariinsky Orchestra | C Major | 2 | 8B | 182 BPM | ||
Cello Concerto No. 2 in B Minor, Op. 50: II. Adagio | Henri Vieuxtemps, Wen-Sinn Yang, Evergreen Symphony Orchestra, Gernot Schmalfuss | B♭ Major | 1 | 6B | 85 BPM | ||
La Bayadere, Act III: 43. "Entrance - Corps De Ballet, Nikiya, Solo | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 1 | 10B | 80 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM |
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