"Cinderella, Op. 87: 13. Summer Fairy" by Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev was released on January 1, 1995. With Cinderella, Op. 87: 13. Summer Fairy being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 55 in the song's album "Prokofiev: Cinderella; Summer Night Suite". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. In terms of popularity, Cinderella, Op. 87: 13. Summer Fairy is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cinderella, Op. 87: 13. Summer Fairy by Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 149 BPM | ||
Don Quixote: Prologue: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 0 | 8A | 128 BPM | ||
Le roi de Lahore, Opera in five Acts: Entr'acte Act V & Adagio & Waltz, Ballet Act III | Jules Massenet, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 109 BPM | ||
Beethoven: Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": I. Allegro assai | Ludwig van Beethoven, Mikhail Pletnev | D♭ Major | 1 | 3B | 76 BPM | ||
Coppelia: Act I - Czardas-Danse hongroise | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 139 BPM | ||
Don Quixote: Act I: Scene of the Toreadors | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Major | 3 | 11B | 128 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.5 Intermezzo | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | D Minor | 1 | 7A | 97 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM |
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