Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov made "Don Quixote: Act I: Scene of the Toreadors" available on February 24, 2004. With Don Quixote: Act I: Scene of the Toreadors being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig Minkus, Nayden Todorov's "Minkus: Don Quixote" album is number 16 out of 59. Based on our statistics, Don Quixote: Act I: Scene of the Toreadors's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Don Quixote: Act I: Scene of the Toreadors by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM | ||
Incidental Music to "A Midsummer Night's Dream", Op.61: II. I. Scherzo After Act 1 | Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra | G Minor | 1 | 6A | 119 BPM | ||
Raymonda, Act II: Variaiton 2 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 92 BPM | ||
Symphony No. 6 in F Major, Op. 68, "Pastoral": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | F Major | 1 | 7B | 179 BPM | ||
Schützen Quadrille | Johann Strauss II, Josef Strauss, Eduard Strauss, Zubin Mehta, Wiener Philharmoniker | B♭ Major | 4 | 6B | 106 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Tybalt Recognizes Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B♭ Major | 1 | 6B | 117 BPM | ||
Don Quixote: Act II: Giga | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | F Major | 3 | 7B | 109 BPM | ||
Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 97 BPM | ||
La Bayadere: 33. "Wedding Variation - Gamzatti, Faster Tempo" (Bonus Track) | Evergreen Symphony Orchestra, Kevin Galiè | A♭ Major | 1 | 4B | 83 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 10, Samuel Goldenberg und Schmuyle - Promenade V | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | G Major | 1 | 9B | 87 BPM |
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