Romeo and Juliet, Op. 64 - Act 1: Tybalt Recognizes Romeo - Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel Information

Acousticness: 94%
Danceability: 30%
Energy: 13%
Instrumentalness: 86%
Liveness: 10%
Loudness: 65%
Speechiness: 4%
Valence: 14%
Popularity: 20%
Loudness: -20.939 dB

Summary

"Romeo and Juliet, Op. 64 - Act 1: Tybalt Recognizes Romeo" by Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel was released on January 1, 1973. The duration of Romeo and Juliet, Op. 64 - Act 1: Tybalt Recognizes Romeo is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Romeo and Juliet, Op. 64 - Act 1: Tybalt Recognizes Romeo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Prokofiev: Romeo & Juliet". In this album, this song's track order is #15. In terms of popularity, Romeo and Juliet, Op. 64 - Act 1: Tybalt Recognizes Romeo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Romeo and Juliet, Op. 64 - Act 1: Tybalt Recognizes Romeo BPM

With Romeo and Juliet, Op. 64 - Act 1: Tybalt Recognizes Romeo by Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Romeo and Juliet, Op. 64 - Act 1: Tybalt Recognizes Romeo Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante	Wolfgang Amadeus Mozart, Stephen Hough, Bryden Thomson, Hallé	F Major	0	7B	66 BPM
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 3, Variation 2 (Allegro)	Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern	F Major	1	7B	104 BPM
Scheherazade: The princess in a palanquin	Nikolai Rimsky-Korsakov, Joakim Svenheden	G Major	1	9B	166 BPM
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Wieder sehr breit	Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan	D♭ Major	2	3B	66 BPM
Pictures at an Exhibition: Tuileries	Modest Mussorgsky, George Szell, Cleveland Orchestra	D♭ Major	0	3B	79 BPM
Bolt, Op. 27a (Ballet Suite No. 5): V. Intermezzo	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	A♭ Major	0	4B	65 BPM
Sylvia: Act I: Le berger (Pastorale)	Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia	B♭ Major	0	6B	72 BPM
Sibelius: Symphony No. 7 in C Major, Op. 105: III. Allegro molto moderato	Jean Sibelius, Royal Philharmonic Orchestra, Sir Thomas Beecham	C Major	2	8B	75 BPM
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.11 Dance of the Clowns	Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa	B Major	2	1B	129 BPM
La Princesse lontaine - Prelude	Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev	A Major	0	11B	69 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7292079925537109

End: 0.7330527305603027