Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum
Wolfgang Amadeus Mozart, Riccardo Muti, Frank Lopardo, James Morris, Patrizia Pace, Waltraud Meier, Berliner Philharmoniker
Mozart: Requiem
3:56 1987
BPM
140
Key
B♭ Major
Camelot
6B

Embed

Share Link

Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum - Wolfgang Amadeus Mozart, Riccardo Muti, Frank Lopardo, James Morris, Patrizia Pace, Waltraud Meier, Berliner Philharmoniker Information

Acousticness
96%
Danceability
22%
Energy
12%
Instrumentalness
4%
Liveness
29%
Loudness
59%
Speechiness
5%
Valence
6%
Popularity
Loudness
-24.839 dB

Summary

"Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum" by Wolfgang Amadeus Mozart, Riccardo Muti, Frank Lopardo, James Morris, Patrizia Pace, Waltraud Meier, Berliner Philharmoniker was released on 1987. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Riccardo Muti's "Mozart: Requiem" album is number 4 out of 15. Based on our statistics, Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum BPM

We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum by Wolfgang Amadeus Mozart, Riccardo Muti, Frank Lopardo, James Morris, Patrizia Pace, Waltraud Meier, Berliner Philharmoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.

Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum Key

The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Requiem: XV. Lux Aeterna by Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Karen Cargill, London Symphony Orchestra, John RelyeaRequiem: XV. Lux AeternaGiuseppe Verdi, Sir Colin Davis, Stuart Neill, Karen Cargill, London Symphony Orchestra, John RelyeaE♭ Major05B62 BPM
Dvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come prima by Antonín Dvořák, Sir Simon Rattle, Berliner PhilharmonikerDvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come primaAntonín Dvořák, Sir Simon Rattle, Berliner PhilharmonikerA Minor08A86 BPM
Pelléas et Mélisande, (Suite), Op. 46: VI. Pastorale by Jean Sibelius, Berliner Philharmoniker, Herbert von KarajanPelléas et Mélisande, (Suite), Op. 46: VI. PastoraleJean Sibelius, Berliner Philharmoniker, Herbert von KarajanA♭ Major04B182 BPM
Piano Concerto in A minor, Op. 16: II. Adagio by Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von KarajanPiano Concerto in A minor, Op. 16: II. AdagioEdvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von KarajanD♭ Major03B77 BPM
Symphony No.3 In F, Op.90: 1. Allegro con brio - Un poco sostenuto - Tempo I by Johannes Brahms, Berliner Philharmoniker, Herbert von KarajanSymphony No.3 In F, Op.90: 1. Allegro con brio - Un poco sostenuto - Tempo IJohannes Brahms, Berliner Philharmoniker, Herbert von KarajanF Minor14A62 BPM
Polovtsian Dances, from: Prince Igor: Moderato alla breve by Alexander Borodin, Berliner Philharmoniker, Herbert von KarajanPolovtsian Dances, from: Prince Igor: Moderato alla breveAlexander Borodin, Berliner Philharmoniker, Herbert von KarajanB Minor310A184 BPM
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?"Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond LeppardD Major110B96 BPM
The Mountain Thrall, Op. 32 by Edvard Grieg, Carole Farley, London Philharmonic Orchestra, José SerebrierThe Mountain Thrall, Op. 32Edvard Grieg, Carole Farley, London Philharmonic Orchestra, José SerebrierA♭ Major14B72 BPM
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro by Wolfgang Amadeus Mozart, Carl Reinecke, Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl BöhmConcerto for Flute, Harp, and Orchestra in C Major, K. 299: I. AllegroWolfgang Amadeus Mozart, Carl Reinecke, Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl BöhmC Minor45A110 BPM
Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) by Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco ArmiliatoPéchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville)Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco ArmiliatoD Minor27A94 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7031307220458984

End: 0.7073700428009033