"The Mountain Thrall, Op. 32" by Edvard Grieg, Carole Farley, London Philharmonic Orchestra, José Serebrier was released on June 15, 2018. The Mountain Thrall, Op. 32 is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Edvard Grieg, Carole Farley, José Serebrier, London Philharmonic Orchestra's "Grieg: Songs" album is number 8 out of 23. On top of that, United Kingdom appears to be the country where this track was created. The Mountain Thrall, Op. 32 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Mountain Thrall, Op. 32 by Edvard Grieg, Carole Farley, London Philharmonic Orchestra, José Serebrier to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5, "The Reformation", Op. 107: III. Andante | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | G Minor | 0 | 6A | 110 BPM | ||
Dvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come prima | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 0 | 8A | 86 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 4. Carillon | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 0 | 12B | 115 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": II. Adagio | Antonio Vivaldi, Itzhak Perlman, London Philharmonic Orchestra | G Minor | 0 | 6A | 95 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: I. Overture | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Major | 0 | 9B | 181 BPM | ||
Bridal Procession, Op. 19 No. 2 | Edvard Grieg, Yuri Temirkanov | A♭ Major | 0 | 4B | 72 BPM | ||
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea | Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 86 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
Vaughan Williams: Symphony No. 6 in E Minor: I. Allegro | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | E Major | 1 | 12B | 87 BPM |
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