On June 30, 2015, the song "Amours amours" was released by Hayne van Ghizeghen, Karl-Ernst Schröder, Crawford Young. With Amours amours being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 31 in Amours amours amours by Karl-Ernst Schröder, Crawford Young. Based on our statistics, Amours amours's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Amours amours by Hayne van Ghizeghen, Karl-Ernst Schröder, Crawford Young is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in A Major: VI. Canaries | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Recercada ottava La Gamba | Diego Ortiz, Mika Suihkonen | F♯ Minor | 2 | 11A | 106 BPM | ||
Sonate, correnti et arie, Op. 4: No. 3, Corrente nona a violino solo | Marco Uccellini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero | G Minor | 2 | 6A | 48 BPM | ||
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): IV. A Merry Meeting | Tobias Hume, Matteo Cicchitti, Musica Elegentia | D♭ Minor | 0 | 12A | 94 BPM | ||
Suite in D Minor: I. Praeludium | Esaias Reusner, Lutz Kirchhof | D♭ Minor | 1 | 12A | 71 BPM | ||
La Sultane, Sonade en quatuor: III. Air (Tendrement) | François Couperin, Gli Incogniti, Amandine Beyer | D♭ Major | 1 | 3B | 103 BPM | ||
Sonata for Recorder and Continuo in D Minor: III. Allegro | James Paisible, Tamar Lalo, La Ritirata, Josetxu Obregon | C Major | 4 | 8B | 95 BPM | ||
Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
Susato: Het derdren musyck boexken "Danserye": Ronde VII "Il estoit une fillette" (D'après Janequin) | Tylman Susato, Michel Piguet, Ricercare-Ensemble Zürich | B♭ Major | 1 | 6B | 73 BPM | ||
Ein Newes Lautenbüchlein, 1540: Der Bethler Tantz Mit Hupf Auff | Hans Neusidler, Joachim Held | C Major | 1 | 8B | 203 BPM |
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