"Amantissime Jesu (Sinfonia)" by Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón was released on May 10, 2024. With Amantissime Jesu (Sinfonia) being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 27 in Amore siciliano by Cappella Mediterranea, Leonardo García-Alarcón. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Amantissime Jesu (Sinfonia) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Amantissime Jesu (Sinfonia) by Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM | ||
Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
Solomon, HWV 67, Act I: Welcome as the Dawn of Day | George Frideric Handel, Christopher Lowrey, Gwendoline Blondeel, Millenium Orchestra, Leonardo García-Alarcón | B♭ Minor | 1 | 3A | 66 BPM | ||
II. Aria Moderato | James Oswald, Artemandoline | F♯ Major | 1 | 2B | 67 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: II. Air | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
All'Arm' all'Arme | The Royal Wind Music | A♭ Major | 1 | 4B | 124 BPM | ||
Salve Regina, HWV 241: IV. O clemens | George Frideric Handel, Julie Roset, Millenium Orchestra, Leonardo García-Alarcón | G Major | 3 | 9B | 140 BPM | ||
Intavolatura di chitarra a cinque ordini, Book 2: Capona | Francesco Valdambrini, Pierre Pitzl | D♭ Major | 0 | 3B | 98 BPM | ||
Ciaconna à 6 | Tarquinio Merula, Chorwerk Ruhr, Capella De La Torre, Florian Helgath | C Major | 1 | 8B | 170 BPM | ||
Robert De Visée - Prelude for 2 Theorbos | Robert de Visée, Andreas Nachtsheim, Klaus Mader | F♯ Major | 1 | 2B | 70 BPM |
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