Vieux Gaultier, Hopkinson Smith's 'Suite in A Major: VI. Canaries' came out on 2000. The duration of Suite in A Major: VI. Canaries is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Suite in A Major: VI. Canaries's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vieux Gaultier: Pièces de luth by Vieux Gaultier, Hopkinson Smith. The song's track number on the album is #20 out of 21 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Suite in A Major: VI. Canaries's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite in A Major: VI. Canaries by Vieux Gaultier, Hopkinson Smith has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Suite in A Major: VI. Canaries being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia in G Major, P. 73: Fancy (Fantasia) in G Major, P. 73, "Tremolo" | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
Suite in G Minor, BWV 1008: VI. Gigue | Johann Sebastian Bach, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Ballo milanese | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | A Major | 0 | 11B | 174 BPM | ||
Das Erst Buch. Ein Newes Lautenbüchlein, 1544: Ich Wais Mir Ain Stoltze Mullnerin, Mit Hupf Auff | Hans Neusidler, Joachim Held | A♭ Minor | 1 | 1A | 130 BPM | ||
Sonata No. 18 in G Minor, FbWV 618: IV. Gigue | Johann Jakob Froberger, Enrike Solinís | F♯ Minor | 1 | 11A | 76 BPM | ||
A Fantasie | Hopkinson Smith, John Dowland | G Major | 1 | 9B | 99 BPM | ||
Chaconne | Ennemond Gaultier, Catherine Liddell | E Major | 0 | 12B | 104 BPM | ||
La cancion del emperador. Mille Regres (after a Canzon by Josquin Desprez) | Luis de Narváez, Lutz Kirchhof | G Minor | 0 | 6A | 85 BPM | ||
L’amant malheureux | Jacques Gallot, Lucas Harris | A♭ Minor | 0 | 1A | 80 BPM | ||
Der ander Theil des Lautenbuchs: Ein welscher tantz Wascha mesa | Hans Neusidler, Ronn McFarlane | D♭ Minor | 2 | 12A | 161 BPM |
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