Esaias Reusner, Lutz Kirchhof made "Suite in D Minor: I. Praeludium" available on February 29, 2000. With Suite in D Minor: I. Praeludium being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lutz Kirchhof's "Lute Music for Witches and Alchemists" album is number 19 out of 30. On top of that, United States appears to be the country where this track was created. Suite in D Minor: I. Praeludium is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suite in D Minor: I. Praeludium by Esaias Reusner, Lutz Kirchhof to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 9 en ré mineur: Courante | Robert de Visée, Sandro Volta | D♭ Major | 0 | 3B | 74 BPM | ||
March in G Major, BWV Anh. 124 | Carl Philipp Emanuel Bach, Mahan Esfahani | F♯ Major | 3 | 2B | 140 BPM | ||
Canción Francesca (Clemens Non Papa) | Antonio de Cabezón, Veronique Musson-Gonneaud | D Minor | 1 | 7A | 110 BPM | ||
Delitiae testudinis Suite No. 9 in G Minor: III. Allemanda | Esaias Reusner, Paul Beier | F♯ Minor | 1 | 11A | 55 BPM | ||
The Fairy Round (Galliard) | Anthony Holborne, Lutz Kirchhof | F♯ Major | 1 | 2B | 102 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 13 Allegro, n. Allegro assai, n. 15 Allegro | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Das Erst Buch. Ein Newes Lautenbüchlein, 1544: Ein Gutter Venecianer Tantz, Mit Hupf Auff | Hans Neusidler, Joachim Held | B Minor | 1 | 10A | 159 BPM | ||
In Nomine No. 14, 'Reporte' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 86 BPM | ||
Armoniosi toni di varie suonate musicali, Op. 7: Passacaglia | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 110 BPM | ||
Suite in D Minor: III. L'adieu | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM |
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