5 Canons on Latin Texts, Op. 16: Christus factus est - Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern Information

Acousticness: 97%
Danceability: 37%
Energy: 6%
Instrumentalness: 0%
Liveness: 84%
Loudness: 62%
Speechiness: 7%
Valence: 55%
Popularity: 0%
Loudness: -22.745 dB

Summary

Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern made "5 Canons on Latin Texts, Op. 16: Christus factus est" available on January 2, 2005. With 5 Canons on Latin Texts, Op. 16: Christus factus est being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Webern, A.: Symphony / 6 Pieces, Op. 6 / Concerto by Anton Webern, Robert Craft. The song's track number on the album is #3 out of 42 tracks. 5 Canons on Latin Texts, Op. 16: Christus factus est is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

5 Canons on Latin Texts, Op. 16: Christus factus est BPM

Since 5 Canons on Latin Texts, Op. 16: Christus factus est by Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 5 Canons on Latin Texts, Op. 16: Christus factus est being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

5 Canons on Latin Texts, Op. 16: Christus factus est Key

A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	E Major	2	12B	76 BPM
Reves	David Abramovitz, Claire Brua, Maurice Ravel	G Minor	0	6A	89 BPM
Turangalîla Symphonie: 10. Final	Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung	D♭ Major	4	3B	155 BPM
Lamentate: Fragile	Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart	D Major	1	10B	126 BPM
Chamber Symphony No. 1, Op. 9: III. Viel langsamer	Arnold Schoenberg, Anton Webern, SOOYUN KIM, Charles Neidich, Leila Josefowicz, Fred Sherry, Orion Weiss	E Major	2	12B	140 BPM
Schoenberg: Verklärte Nacht, Op. 4: I. Grave	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	D Minor	1	7A	174 BPM
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso	Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra	F♯ Minor	1	11A	128 BPM
5 Pieces for Orchestra, Op. 10: III. Sehr langsam und äußerst zart	Anton Webern, Pierre Boulez, London Symphony Orchestra	B♭ Minor	0	3A	88 BPM
Le tombeau de Couperin (arr. Z. Kocsis): I. Prelude: Vif	Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic	E Minor	1	9A	81 BPM
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey	Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh	D♭ Major	1	3B	81 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6323955059051514

End: 0.6371951103210449