"5 Pieces for Orchestra, Op. 10: III. Sehr langsam und äußerst zart" by Anton Webern, Pierre Boulez, London Symphony Orchestra was released on 1977. With 5 Pieces for Orchestra, Op. 10: III. Sehr langsam und äußerst zart being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 138 in the song's album "Pierre Boulez Edition: Webern, Varese & Berio". In this album, this song's track order is #38. 5 Pieces for Orchestra, Op. 10: III. Sehr langsam und äußerst zart is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Pieces for Orchestra, Op. 10: III. Sehr langsam und äußerst zart by Anton Webern, Pierre Boulez, London Symphony Orchestra having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite de danzas criollas, Op. 15 (2nd version): I. Adagietto pianissimo | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 129 BPM | ||
Symphony, Op. 21: II. Variationen | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | D♭ Major | 0 | 3B | 135 BPM | ||
Ligeti : Hamburg Concerto : V Spectra | György Ligeti, Reinbert de Leeuw | E Major | 0 | 12B | 68 BPM | ||
Le marteau sans maître: "L'Artisanat furieux" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 0 | 4A | 175 BPM | ||
3 Traditional Rhymes, Op. 17: Heiland, unsre Missetaten | Anton Webern, Jennifer Welch-Babidge, Jesse Mills, Charles Neidich, Michael Lowenstern | B♭ Major | 0 | 6B | 132 BPM | ||
String Quartet in B Flat Major, Op. 130: V. Cavatina ( Adagio molto espressivo) | Ludwig van Beethoven, Emerson String Quartet | E Major | 1 | 12B | 81 BPM | ||
6 German Dances, D. 820 (arr. A. Webern): V. -- | Franz Schubert, Anton Webern, Philharmonia Orchestra, Robert Craft | B♭ Major | 0 | 6B | 114 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM |
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