Alexander Grill, Iris Wiegandt made "Kapitel 9.2 - Karl der Große - Der Kaiser, der Dom und die Krone" available on February 7, 2014. The duration of Kapitel 9.2 - Karl der Große - Der Kaiser, der Dom und die Krone is about 3 minutes long, at 3:17. Based on our data, "Kapitel 9.2 - Karl der Große - Der Kaiser, der Dom und die Krone" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Alexander Grill, Iris Wiegandt's "Karl der Große - Der Kaiser, der Dom und die Krone" album is number 14 out of 17. On top of that, Germany appears to be the country where this track was created. Kapitel 9.2 - Karl der Große - Der Kaiser, der Dom und die Krone is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Kapitel 9.2 - Karl der Große - Der Kaiser, der Dom und die Krone by Alexander Grill, Iris Wiegandt to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia of Lammermoor, Part II. Act I Scene 2: Come here to me, Lucia (Enrico) | Gaetano Donizetti, David Parry, Philharmonia Orchestra, Alan Opie | E Major | 0 | 12B | 129 BPM | ||
Don Quichote - Acte IV - Le patio de la belle Dulcinée : Alors, traitresse, je n'ai plus rien à espérer (Juan, Pedro, Garcias, Rodriguez, Dulcinée) | Jules Massenet, Teresa Berganza | C Minor | 0 | 5A | 139 BPM | ||
Messa di Gloria: XI. Et incarnatus | Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | G Major | 1 | 9B | 78 BPM | ||
Poème d'un jour, Op. 21: No. 2, Toujours | Gabriel Fauré, Stéphane Degout, Alain Planès | D♭ Major | 7 | 3B | 90 BPM | ||
Wiener Blut: Act III: Sextett: So kommen Sie und zogern Sie nicht langer! | Johann Strauss II, Rolf Wollrad, Christian Zenker, Ursula Pfitzner, Margareta Klobucar, Alexander Grill, Renée Schüttengruber, Daniel Serafin, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 169 BPM | ||
"Im Prater blühn wieder die Bäume" | Robert Stolz, Fritz Wunderlich, Vienna State Opera Chorus, Vienna Volksoper Orchestra | F Major | 3 | 7B | 86 BPM | ||
Liederkreis nach Gedichten von Heinrich Heine, Op. 24: 1. Morgens steh' ich auf und frage | Robert Schumann, Christian Gerhaher, Gerold Huber | C Major | 0 | 8B | 107 BPM | ||
Der Bettelstudent - operetta in 3 Acts: Ach, er hat sie ja nur auf die Schulter geküßt | Carl Millöcker, Ingeborg Hallstein, Sandor Konya, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek | E Major | 4 | 12B | 75 BPM | ||
La Courte Paille, FP 178: No. 7, Lune d'Avril | Francis Poulenc, Hanna-Elisabeth Müller, Juliane Ruf | C Minor | 0 | 5A | 165 BPM | ||
Kapitel 12 - Kiraka - Die Honigkuchenbande | Bernd Gieseking, Matthias Haase, Alexander Grill, Hans-Jörg Krumpholz | C Major | 3 | 8B | 85 BPM |
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