Robert Schumann, Christian Gerhaher, Gerold Huber made "Liederkreis nach Gedichten von Heinrich Heine, Op. 24: 1. Morgens steh' ich auf und frage" available on September 3, 2021. With Liederkreis nach Gedichten von Heinrich Heine, Op. 24: 1. Morgens steh' ich auf und frage being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 297 in the song's album "Schumann: Alle Lieder". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Liederkreis nach Gedichten von Heinrich Heine, Op. 24: 1. Morgens steh' ich auf und frage is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Liederkreis nach Gedichten von Heinrich Heine, Op. 24: 1. Morgens steh' ich auf und frage by Robert Schumann, Christian Gerhaher, Gerold Huber having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | ||
Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Francesca Dego, BBC Symphony Orchestra, Dalia Stasevska | C Major | 0 | 8B | 87 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
Ravel: Miroirs, M. 43: V. La Vallée des cloches | Maurice Ravel, Bertrand Chamayou | D♭ Major | 0 | 3B | 132 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872 | Daniel Barenboim | D♭ Major | 0 | 3B | 133 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM |
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