"Don Quichote - Acte IV - Le patio de la belle Dulcinée : Alors, traitresse, je n'ai plus rien à espérer (Juan, Pedro, Garcias, Rodriguez, Dulcinée)" by Jules Massenet, Teresa Berganza was released on 1993. The duration of Don Quichote - Acte IV - Le patio de la belle Dulcinée : Alors, traitresse, je n'ai plus rien à espérer (Juan, Pedro, Garcias, Rodriguez, Dulcinée) is about 3 minutes long, at 3:29. Based on our data, "Don Quichote - Acte IV - Le patio de la belle Dulcinée : Alors, traitresse, je n'ai plus rien à espérer (Juan, Pedro, Garcias, Rodriguez, Dulcinée)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jules Massenet, Michel Plasson's "Massenet: Don Quichotte" album is number 1 out of 29. Based on our statistics, Don Quichote - Acte IV - Le patio de la belle Dulcinée : Alors, traitresse, je n'ai plus rien à espérer (Juan, Pedro, Garcias, Rodriguez, Dulcinée)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Quichote - Acte IV - Le patio de la belle Dulcinée : Alors, traitresse, je n'ai plus rien à espérer (Juan, Pedro, Garcias, Rodriguez, Dulcinée) by Jules Massenet, Teresa Berganza to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 16 Children's Songs, Op. 54: No. 10, Lullaby in a Storm | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 0 | 7A | 89 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
On The Wings Of Song Op. 34 No. 2 | Felix Mendelssohn, Sarah Chang, Charles Abramovic | D Major | 1 | 10B | 84 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Méditation | Jules Massenet, James Galway, David Measham, National Philharmonic Orchestra | D Major | 2 | 10B | 167 BPM |
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