"Symphony No. 3 in D Minor: 1. Gemäßigt, mehr bewegt, misterioso" by Anton Bruckner, Hans Knappertsbusch, Wiener Philharmoniker was released on September 2, 2016. Symphony No. 3 in D Minor: 1. Gemäßigt, mehr bewegt, misterioso appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Proms Music 2016, Vol. 9". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Symphony No. 3 in D Minor: 1. Gemäßigt, mehr bewegt, misterioso is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 3 in D Minor: 1. Gemäßigt, mehr bewegt, misterioso by Anton Bruckner, Hans Knappertsbusch, Wiener Philharmoniker having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, K. 626: 3. Sequentia: Recordare - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 80 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
String Quartet No. 1 in E Minor, "From my life": I. Allegro vivo - Appassionato | Bedřich Smetana, Moyzes Quartet | E Minor | 1 | 9A | 80 BPM | ||
Gloria, FP 144: 3. Domine Deus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 130 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
Masques et bergamasques Suite, Op. 112: III. Gavotte | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM | ||
Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM |
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