- BPM
- 80
- Key
- F Major
- Camelot
- 7B
Requiem in D Minor, K. 626: 3. Sequentia: Recordare - Live - Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado Information
- Acousticness
- 95%
- Danceability
- 26%
- Energy
- 13%
- Instrumentalness
- 1%
- Liveness
- 13%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 13%
- Popularity
- 45%
- Loudness
- -23.965 dB
Summary
"Requiem in D Minor, K. 626: 3. Sequentia: Recordare - Live" by Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado was released on January 1, 1999. With this song being about 5 minutes long, at 5:04, "Requiem in D Minor, K. 626: 3. Sequentia: Recordare - Live" by Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Karita Mattila, Sara Minguardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir's "Mozart: Requiem" album is number 6 out of 16. Requiem in D Minor, K. 626: 3. Sequentia: Recordare - Live is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Requiem in D Minor, K. 626: 3. Sequentia: Recordare - Live BPM
We consider the tempo marking of Requiem in D Minor, K. 626: 3. Sequentia: Recordare - Live by Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Requiem in D Minor, K. 626: 3. Sequentia: Recordare - Live Key
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker, Yo-Yo Ma | B Minor | 1 | 10A | 78 BPM | |
 | Requiem: XIV. Agnus Dei | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra | C Major | 0 | 8B | 173 BPM | |
 | Eugene Onegin, Op. 24, TH 5 / Act 1: Letter Scene. "Puskai pogibnu ya, no prezde" | Pyotr Ilyich Tchaikovsky, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | C Major | 4 | 8B | 120 BPM | |
 | Die Schöpfung Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Himmel erzählen die Ehre Gottes | Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 3 | 8B | 97 BPM | |
 | Hungarian Dance No.20 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 76 BPM | |
 | Die Zauberflöte, K. 620 / Act 1: "Wenn Tugend und Gerechtigkeit der Großen Pfad mit Ruhm bestreut" | Wolfgang Amadeus Mozart, RIAS Kammerchor, Justin Doyle, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Minor | 1 | 5A | 80 BPM | |
 | Rachmaninov: Piano Concerto No. 1 in F-Sharp Minor, Op. 1: I. Vivace | Sergei Rachmaninoff, Leif Ove Andsnes, Antonio Pappano, Berliner Philharmoniker | F♯ Minor | 1 | 11A | 84 BPM | |
 | Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | |
 | Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: II. Romance. Andante cantabile | Wolfgang Amadeus Mozart, Radovan Vlatkovic, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 0 | 6B | 84 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Midori, Mariss Jansons, Berliner Philharmoniker | G Major | 2 | 9B | 93 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7168571949005127
End: 0.7213003635406494