"Die Zauberflöte, K. 620 / Act 1: "Wenn Tugend und Gerechtigkeit der Großen Pfad mit Ruhm bestreut"" by Wolfgang Amadeus Mozart, RIAS Kammerchor, Justin Doyle, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin was released on August 2, 2019. With Die Zauberflöte, K. 620 / Act 1: "Wenn Tugend und Gerechtigkeit der Großen Pfad mit Ruhm bestreut" being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Rolando Villazón, Regula Mühlemann, Franz-Josef Selig, Albina Shagimuratova, Christiane Karg, Klaus Florian Vogt, Paul Schweinester, Tareq Nazmi, Levy Sekgapane, Douglas Williams, Johanni van Oostrum, Corinna Scheurle, Claudia Huckle, Aurelius Sangerknaben Calw, RIAS Kammerchor, Justin Doyle, Jory Vinikour, Clara Andrada de la Calle, Chamber Orchestra of Europe, Yannick Nézet-Séguin's "Mozart: Die Zauberflöte" album is number 24 out of 56. On top of that, Germany appears to be the country where this track was created. Die Zauberflöte, K. 620 / Act 1: "Wenn Tugend und Gerechtigkeit der Großen Pfad mit Ruhm bestreut" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte, K. 620 / Act 1: "Wenn Tugend und Gerechtigkeit der Großen Pfad mit Ruhm bestreut" by Wolfgang Amadeus Mozart, RIAS Kammerchor, Justin Doyle, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orfeo ed Euridice: Act II, Scene 1, Orfeo: Mille pene, ombre moleste | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Bernarda Fink | F Minor | 0 | 4A | 81 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52, MWV A 18 - "Hymn Of Praise": VII. Chorus. Allegro maestoso e molto vivace. "Die Nacht ist vergangen" - Live | Felix Mendelssohn, RIAS Kammerchor, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D Major | 3 | 10B | 77 BPM | ||
Elias, Op. 70, MWV A25, Pt. 1: Herr, höre unser Gebet (Live) | Felix Mendelssohn, Marlis Petersen, Lioba Braun, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E Major | 1 | 12B | 175 BPM | ||
Mass No. 2 in G Major, D. 167: II. Gloria | Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | G Minor | 0 | 6A | 88 BPM | ||
Don Giovanni: Atto Primo, Scena 5: "Ah chi mi dice mai" | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, Johannes Weisser, Lorenzo Regazzo, Freiburger Barockorchester, René Jacobs | B♭ Major | 2 | 6B | 120 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52, MWV A 18 - "Hymn Of Praise": IV. Chorus. A tempo moderato. "Sagt es, die ihr erlöst seid" - Live | Felix Mendelssohn, RIAS Kammerchor, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 111 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Riconosci in questo amplesso" | Wolfgang Amadeus Mozart, Boje Skovhus, Peter Jelosits, Anna Caterina Antonacci, Lucio Gallo, Ildebrando D'Arcangelo, Sylvia McNair, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM | ||
Le nozze di Figaro, K.492 / Act 4: “Gente, gente, all’armi, all’armi” | Wolfgang Amadeus Mozart, Thomas Hampson, Luca Pisaroni, Rolando Villazón, Philippe Sly, Christiane Karg, Sonya Yoncheva, Vocalensemble Rastatt, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 1 | 9B | 90 BPM | ||
Die Zauberflöte, K. 620 / Erster Aufzug: "Hm, hm, hm" | Wolfgang Amadeus Mozart, Dietrich Fischer-Dieskau, Fritz Wunderlich, Hildegard Hillebrecht, Cvetka Ahlin, Sieglinde Wagner, Berliner Philharmoniker, Karl Böhm | C Minor | 1 | 5A | 61 BPM | ||
Requiem In D Minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Edith Mathis, Julia Hamari, Wiesław Ochman, Karl Ridderbusch, Hans Haselböck, Wiener Philharmoniker, Karl Böhm, Vienna State Opera Chorus | E Major | 1 | 12B | 72 BPM |
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