"3 Songs of Praise: No. 1, Praise (Arr. for Choir & Organ)" by George Dyson, Daniel Fortune, Girls' Choir of St. Paul's Cathedral, Buffalo, Dale Adelmann was released on 1995. The duration of 3 Songs of Praise: No. 1, Praise (Arr. for Choir & Organ) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. 3 Songs of Praise: No. 1, Praise (Arr. for Choir & Organ)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 18 in Ex ore innocentium by Daniel Fortune, Dale Adelmann. 3 Songs of Praise: No. 1, Praise (Arr. for Choir & Organ) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Songs of Praise: No. 1, Praise (Arr. for Choir & Organ) by George Dyson, Daniel Fortune, Girls' Choir of St. Paul's Cathedral, Buffalo, Dale Adelmann is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Quartette, Op. 92: I. O schöne Nacht | Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | E Minor | 1 | 9A | 95 BPM | ||
Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
Vespers, Op. 37: Glory to God in the Highest | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 89 BPM | ||
Figure humaine, FP 120: II. Le Role des Femmes | Francis Poulenc, Tenebrae, Nigel Short | A Minor | 0 | 8A | 179 BPM | ||
2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 0 | 6B | 138 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
O vos omnes | Tomás Luis de Victoria, Choir of St. Ignatius Loyola, Kent Tritle | C Minor | 1 | 5A | 69 BPM | ||
Magnificat in D | George Dyson, Wells Cathedral Choir, Jonathan Vaughn, Matthew Owens | D Major | 3 | 10B | 99 BPM | ||
Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | ||
Three Shakespeare Songs: I. Full Fathom Five | Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir | D Minor | 1 | 7A | 129 BPM |
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