Mass in B Minor, BWV 232: Kyrie - Kyrie eleison II (Chorus)
Johann Sebastian Bach, The Sixteen, Harry Christophers
Bach: Mass In B Minor
3:34 March 1, 2006
BPM
80
Key
F Minor
Camelot
4A

Embed

Share Link

Mass in B Minor, BWV 232: Kyrie - Kyrie eleison II (Chorus) - Johann Sebastian Bach, The Sixteen, Harry Christophers Information

Acousticness
99%
Danceability
8%
Energy
15%
Instrumentalness
79%
Liveness
13%
Loudness
62%
Speechiness
4%
Valence
19%
Popularity
Loudness
-22.706 dB

Summary

"Mass in B Minor, BWV 232: Kyrie - Kyrie eleison II (Chorus)" by Johann Sebastian Bach, The Sixteen, Harry Christophers was released on March 1, 2006. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 27 in Bach: Mass In B Minor by Johann Sebastian Bach, The Sixteen, Harry Christophers. Mass in B Minor, BWV 232: Kyrie - Kyrie eleison II (Chorus) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mass in B Minor, BWV 232: Kyrie - Kyrie eleison II (Chorus) BPM

The tempo marking of Mass in B Minor, BWV 232: Kyrie - Kyrie eleison II (Chorus) by Johann Sebastian Bach, The Sixteen, Harry Christophers is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Mass in B Minor, BWV 232: Kyrie - Kyrie eleison II (Chorus) Key

This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Christ lag in Todes Banden, BWV 4: Duet. Den Tod niemand zwingen kunnt (Soprano, Alto) by Johann Sebastian Bach, Yumiko Kurisu, Akira Tachikawa, Bach Collegium Japan, Masaaki SuzukiChrist lag in Todes Banden, BWV 4: Duet. Den Tod niemand zwingen kunnt (Soprano, Alto)Johann Sebastian Bach, Yumiko Kurisu, Akira Tachikawa, Bach Collegium Japan, Masaaki SuzukiF Minor04A103 BPM
Requiem in D minor, K.626: 3. Sequentia: Tuba mirum by Wolfgang Amadeus Mozart, Anne Sofie von Otter, Susan Addison, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot GardinerRequiem in D minor, K.626: 3. Sequentia: Tuba mirumWolfgang Amadeus Mozart, Anne Sofie von Otter, Susan Addison, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot GardinerB♭ Major16B85 BPM
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante by Cologne Chamber Orchestra, Johann Sebastian BachBrandenburg Concerto No. 2 In F Major, Bwv 1047: II. AndanteCologne Chamber Orchestra, Johann Sebastian BachD Minor17A124 BPM
The Creation, Hob.XXI,2: Pt. 1, The Representation of Chaos by Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry ChristophersThe Creation, Hob.XXI,2: Pt. 1, The Representation of ChaosJoseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry ChristophersD♭ Major13B93 BPM
Vespers, Op. 37: V. Vespers, Op. 37: V. "Nyne otpushchayeshi"Sergei Rachmaninoff, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai KornievF♯ Major02B135 BPM
Song of Songs: No. 16 Surge, amica mea, speciosa mea by Giovanni Pierluigi da Palestrina, The Sixteen, Harry ChristophersSong of Songs: No. 16 Surge, amica mea, speciosa meaGiovanni Pierluigi da Palestrina, The Sixteen, Harry ChristophersB♭ Major16B125 BPM
I. Herz Und Mund Und Tat Und Leben BWV 147, Prima Parte, 1. Coro: Herz Und Mund Und Tat Und Leben by Pieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Peter Frankenberg, Eduard Wesley, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth HoltonI. Herz Und Mund Und Tat Und Leben BWV 147, Prima Parte, 1. Coro: Herz Und Mund Und Tat Und LebenPieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Peter Frankenberg, Eduard Wesley, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth HoltonB Major31B90 BPM
Requiem, Op. 48: I. Introitus by Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed SpanjaardRequiem, Op. 48: I. IntroitusGabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed SpanjaardD Minor07A131 BPM
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) by Ignaz Friedman, Johann Sebastian Bach, Joseph BanowetzFlute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano)Ignaz Friedman, Johann Sebastian Bach, Joseph BanowetzG Minor06A73 BPM
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) by Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisConcerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo)Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisD Minor17A61 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.124272346496582

End: 1.1299026012420654