"Christ lag in Todes Banden, BWV 4: Duet. Den Tod niemand zwingen kunnt (Soprano, Alto)" by Johann Sebastian Bach, Yumiko Kurisu, Akira Tachikawa, Bach Collegium Japan, Masaaki Suzuki was released on November 30, 1995. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 20 in Bach, J.S.: Cantatas, Vol. 1 - Bwv 4, 150, 196 by Johann Sebastian Bach, Various Artists, Masaaki Suzuki, Bach Collegium Japan. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Christ lag in Todes Banden, BWV 4: Duet. Den Tod niemand zwingen kunnt (Soprano, Alto) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christ lag in Todes Banden, BWV 4: Duet. Den Tod niemand zwingen kunnt (Soprano, Alto) by Johann Sebastian Bach, Yumiko Kurisu, Akira Tachikawa, Bach Collegium Japan, Masaaki Suzuki is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In ecclesiis (a 14), C78 | Giovanni Gabrieli, His Majestys Sagbutts & Cornetts, Ensemble of King's College, Cambridge, Stephen Cleobury | A Minor | 1 | 8A | 79 BPM | ||
Fauré: Requiem, Op. 48: V. Agnus Dei | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | F Major | 0 | 7B | 77 BPM | ||
Easter Oratorio, BWV 249: Aria: Saget, saget mit geschwinde (Alto) | Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki | B♭ Minor | 1 | 3A | 35 BPM | ||
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM | ||
Lotti: Crucifixus (8 part) | Antonio Lotti, The Sixteen, Harry Christophers | C Minor | 2 | 5A | 64 BPM | ||
Credo RV 592 Crucifixus | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux, Philippe Jaroussky | E Minor | 1 | 9A | 169 BPM | ||
Ich weiss, dass mein Erlöser lebet, SWV 457 | Heinrich Schütz, Georg Poplutz, Tobias Mäthger, Hille Perl, Andreas Arend, Lee Santana, Anna Schall, Julia Fritz, Matthias Müller, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 2 | 3B | 70 BPM | ||
Stabat Mater, RV 621: 1. Stabat mater 2. Cuius animan 3. O quam tristis | Antonio Vivaldi, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 98 BPM | ||
"Sweeter Than Roses", Z.585 | Henry Purcell, Emma Kirkby, Anthony Rooley | G Major | 0 | 9B | 109 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM |
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