"Requiem in D minor, K.626: 3. Sequentia: Tuba mirum" by Wolfgang Amadeus Mozart, Anne Sofie von Otter, Susan Addison, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1987. The duration of Requiem in D minor, K.626: 3. Sequentia: Tuba mirum is about 3 minutes long, at 3:09. Based on our data, "Requiem in D minor, K.626: 3. Sequentia: Tuba mirum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Barbara Bonney, Anne Sofie von Otter, Hans Peter Blochwitz, Willard White, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "Mozart: Requiem; Kyrie in D minor" album is number 4 out of 15. Requiem in D minor, K.626: 3. Sequentia: Tuba mirum is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D minor, K.626: 3. Sequentia: Tuba mirum by Wolfgang Amadeus Mozart, Anne Sofie von Otter, Susan Addison, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salve Regina in A minor - Edited by Robert King: 4. O clemens | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | A♭ Minor | 1 | 1A | 171 BPM | ||
Mass in B Minor, BWV 232 / Credo: XV. Et in unum Dominum | Johann Sebastian Bach, Barbara Bonney, Angelika Kirchschlager, Saito Kinen Orchestra, Seiji Ozawa | E Minor | 1 | 9A | 105 BPM | ||
Requiem, K. 626. Rex Tremendae Majestatis | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St. Martin in the Fields Chorus, Laszlo Heltay | G Minor | 1 | 6A | 92 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 6: Terzetto - Susanna, Or Via Sortite? | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Ingrid Kertesi, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | C Major | 2 | 8B | 73 BPM | ||
Così fan tutte, K. 588: Act 1: Quintetto "Sento, O Dio" | Wolfgang Amadeus Mozart, Concerto Köln, Marcel Boone, René Jacobs, Bernarda Fink, Véronique Gens, Werner Güra, Pietro Spagnoli | E♭ Major | 1 | 5B | 117 BPM | ||
Mass in B Minor, BWV 232: Kyrie eleison (Chorus) | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 0 | 4B | 130 BPM | ||
Matthäus-Passion, BWV 244 / Erster Teil: No. 5 "Du lieber Heiland du" | Johann Sebastian Bach, Anne Sofie von Otter, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 0 | 3B | 97 BPM | ||
Vier letzte Lieder - Piano version: Frühling | Richard Strauss, Barbara Bonney, Malcolm Martineau | A Major | 1 | 11B | 86 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Recordare | Wolfgang Amadeus Mozart, Wilma Lipp, Hilde Rössel Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer | F Major | 1 | 7B | 86 BPM | ||
Die Jahreszeiten - Hob. XXI:3 / Der Herbst: No. 26 Chor des Landvolks und der Jäger: "Hört, hört" | Joseph Haydn, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | F Minor | 0 | 4A | 111 BPM |
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