"Requiem, K. 626. Rex Tremendae Majestatis" by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St. Martin in the Fields Chorus, Laszlo Heltay was released on January 1, 1984. The duration of Requiem, K. 626. Rex Tremendae Majestatis is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Requiem, K. 626. Rex Tremendae Majestatis's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 30 in Amadeus (The Complete Soundtrack Recording) by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields. In terms of popularity, Requiem, K. 626. Rex Tremendae Majestatis is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, K. 626. Rex Tremendae Majestatis by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St. Martin in the Fields Chorus, Laszlo Heltay is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Gounod : Faust : Act 1 "Le veau d'or" [Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A♭ Major | 4 | 4B | 108 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Die Schöpfung HobXXI/2, PART 2: Vollendet ist das große Werk: Chor | Sir Neville Marriner, Südfunk-Chor, Barbara Bonney, Jan-Hendrik Rootering, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart | B♭ Major | 3 | 6B | 111 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): II. Sequentia - Recordare | Wolfgang Amadeus Mozart, Freiburger Barockorchester, Johannes Weisser, Sophie Karthäuser, Marie-Claude Chappuis, Maximilian Schmitt, René Jacobs | F Major | 1 | 7B | 83 BPM | ||
William Tell: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 88 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe": Jesu Christe | Wolfgang Amadeus Mozart, Camilla Tilling, Sarah Connolly, Timothy Robinson, Neal Davies, Gabrieli, Paul McCreesh | C Major | 3 | 8B | 93 BPM | ||
Gotterdammerung (Twilight of the Gods): Act III Scene 2: Siegfried's Funeral March | Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund | C Minor | 0 | 5A | 174 BPM | ||
Mozart: Flute Sonata in G Major, K. 379: II. (e) Andantino cantabile. Variation IV (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | G Minor | 2 | 6A | 71 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM |
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