"Dvořák: Humoresque in G-Flat Major, Op. 101 No. 7, B. 187: No. 7" by Antonín Dvořák, Salonorchester Colln was released on 1992. The duration of Dvořák: Humoresque in G-Flat Major, Op. 101 No. 7, B. 187: No. 7 is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Dvořák: Humoresque in G-Flat Major, Op. 101 No. 7, B. 187: No. 7's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 16 in Café-Concert - Klassiker der Salonmusik by Salonorchester Colln. In terms of popularity, Dvořák: Humoresque in G-Flat Major, Op. 101 No. 7, B. 187: No. 7 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dvořák: Humoresque in G-Flat Major, Op. 101 No. 7, B. 187: No. 7 by Antonín Dvořák, Salonorchester Colln is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) | Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens | D Major | 0 | 10B | 73 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 2: No. 30, Danse des ombres heureuses | Christoph Willibald Gluck, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 76 BPM | ||
Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | B Major | 2 | 1B | 71 BPM | ||
Humoresques, Op. 101, B. 187: VII. Poco lento e grazioso | Antonín Dvořák, Tiffany Poon | B♭ Major | 0 | 6B | 66 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Le carnaval des animaux, R. 125: 13. Le cygne | Camille Saint-Saëns, Wolfgang Herzer, Alfons Kontarsky, Aloys Kontarsky, Karl Böhm | G Major | 0 | 9B | 101 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
Rossini: Les Soirées musicales: VIII. La Danza (Arr. for Trumpet & Orchestra) | Gioachino Rossini, Lucienne Renaudin Vary, Roberto Rizzi Brignoli, Orchestre National de Lille | F Major | 3 | 7B | 150 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM |
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