"Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar)" by Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens was released on September 15, 2017. The duration of Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) is about 3 minutes long, at 3:21. Based on our data, "Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Offenbach: Les Contes d'Hoffmann / Act 3, Barcarolle (Arr. For Violin, Cello, Piano And String Ensemble By Aleksandar Sedlar) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) by Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir d'un lieu cher, Op.42: Mélodie (Ré bémol Majeur) | Pyotr Ilyich Tchaikovsky, Stanislas Kuchinski, Anne Biragnet, Frédéric Dessus, Guillaume Fontanarosa, Nemanja Radulović | G Major | 2 | 9B | 96 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Harmonies des bois, Op. 76: No. 2 Les Larmes de Jacqueline | Jacques Offenbach, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | C Major | 0 | 8B | 65 BPM | ||
Concert nr. 5 pentru pian și orchestră în Mi bemol major, op. 73, Imprerialul, Adagio un poco mosso | Radu Lupu | B Major | 0 | 1B | 92 BPM | ||
Rusalka, Op. 114: Song to the Moon | Antonín Dvořák, Joshua Bell, Michael Stern | F♯ Major | 1 | 2B | 137 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Camille Thomas, Julien Brocal | D Major | 1 | 10B | 72 BPM | ||
Ave verum corpus, K. 618 (Arr. Spindler for English Horn, Strings and Organ) | Wolfgang Amadeus Mozart, Albrecht Mayer, Vital Julian Frey, Deutsche Kammerphilharmonie Bremen | D Major | 1 | 10B | 68 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM |
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