"Souvenir d'un lieu cher, Op.42: Mélodie (Ré bémol Majeur)" by Pyotr Ilyich Tchaikovsky, Stanislas Kuchinski, Anne Biragnet, Frédéric Dessus, Guillaume Fontanarosa, Nemanja Radulović was released on January 1, 2009. The duration of Souvenir d'un lieu cher, Op.42: Mélodie (Ré bémol Majeur) is about 3 minutes long, at 3:09. Based on our data, "Souvenir d'un lieu cher, Op.42: Mélodie (Ré bémol Majeur)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Nemanja Radulović's "Les Trilles Du Diable" album is number 5 out of 11. On top of that, France appears to be the country where this track was created. In terms of popularity, Souvenir d'un lieu cher, Op.42: Mélodie (Ré bémol Majeur) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Souvenir d'un lieu cher, Op.42: Mélodie (Ré bémol Majeur) by Pyotr Ilyich Tchaikovsky, Stanislas Kuchinski, Anne Biragnet, Frédéric Dessus, Guillaume Fontanarosa, Nemanja Radulović to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
Symphony No. 5 in E Minor, Op. 64, TH 29: III. Waltz. Allegro moderato | Pyotr Ilyich Tchaikovsky, Antoni Wit, Polish National Radio Symphony Orchestra | A Major | 2 | 11B | 147 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | E♭ Major | 2 | 5B | 99 BPM | ||
J. Strauss II: Voices of Spring, Op. 410 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 103 BPM | ||
Le Carnaval des Animaux, R. 125: 13. Le Cygne | Camille Saint-Saëns, Christopher van Kampen, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | G Major | 0 | 9B | 130 BPM | ||
Raymonda, Act I: Prelude et Variation | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 104 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM |
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